Fabrice Juan first stepped out to discovered his personal company in 2011 following intensive work expertise as Jean-Louis Deniot’s challenge supervisor – and a supportive push from his spouse. Dedicated to the French artwork of residing, he draw’s inspiration from traditional structure, high-end supplies, made-to-measure work, and intimate collaborations with craftsmen.
A dialogue between structure and furnishings design, innovation and elegance, presents itself throughout Juan’s portfolio. The general aesthetic he crafts for shoppers is one among timelessness, seamlessly combining traditional parts and up to date styling. You’ll discover examples of this within the steadiness between the staircase and the patinated lounge finishes in his Iéna project, or the Twin Peaks espresso desk as angular American walnut and Calacatta marble overlap, and the Sunray sideboard as shiny lacquer, brass, and matte wooden veneer meld. Arguably a few of Juan’s items, such because the Saint-Germain bench and the Capsule armchair, may already be thought of iconic.
Juan himself has an schooling in each woodworking and inside design, giving him a novel perspective on the creation and curation of product and areas. He nonetheless has ties with the gifted people he found throughout his woodworking coaching, and a few relationships, corresponding to with the Gohard and Prométhée workshops, have led to great working partnerships.
Different influences embrace designers Jean-Michel Frank and Gio Ponti, together with accrued life experiences, corresponding to his first go to to the The Palais Bulles, Pierre Cardin’s home. “It’s positioned within the south of France with a wonderful view of the ocean. I used to be amazed by the natural types and weird structure of the buildings, in addition to its pink coloration, which made it a really iconic piece of structure,” Juan displays on his first impression of the construction. “As well as, I like the truth that it was owned by a designer, Pierre Cardin, who accomplished the development.”
One other, maybe sudden, inspiration for Juan is present in movie scores, such because the work of composers Michel Legrand, Ennio Morricone, and Francis Lai, gifted musical artists from the Seventies. “I’ve all the time been impressed by movie music. If I had been to strive one other inventive medium, it could be movie music composition,” he shares. “To me, a movie rating can take advantage of transformative distinction in understanding the imaginative and prescient of a director.”
It’s compelling the way in which that Juan borrows from totally different experiences, relationships, and influences to craft his personal influential fashion. His latest initiatives have included a number of non-public residences in France and overseas, and we’re trying ahead to his storied future.
Fabrice Juan now joins us for this week’s Friday Five!
I really like his structure and the brutalist really feel of his work. In most of his buildings, you possibly can expertise an ideal steadiness, a symmetry, or, quite the opposite, an assumed asymmetry. His architectural designs are paying homage to youngsters’s playthings, with some buildings utilizing robust colours: pinks, blues, and reds. There’s all the time one thing stunning about his creations.
The Antonio Canova Museum is a spot I’m very keen on. It’s within the north of Italy, within the city the place the Nineteenth-century painter and sculptor was born. It’s a area I go to usually, and I really like spending time within the museum, which brings collectively a lot of his sculptures, in addition to visiting part of his non-public house. What I additionally actually get pleasure from on this a part of the world is the renovation work carried out by Carlo Scarpa, an Italian architect, within the Nineteen Fifties, which in flip evokes my very own work.
3. Jean Dewasne
I’ve all the time been very impressed by the format of Jean Dewasne’s works: big, graphic, and very colourful frescoes made up of strains, rectangles, and circles in good finishes. In every part of the work, one thing is expressed by the motifs. You would possibly even get the impression that there isn’t a finish to the geometry that makes them up, and I really like having the ability to draw inspiration from them to create a sample or a form that can then feed into my designs and furnishings creations.
It’s a novel place, a mysterious home belonging to one of many biggest French artists of the twentieth century, which has simply opened to the general public. I used to be fortunate sufficient to go to Serge Gainsbourg’s house on rue de Verneuil in Paris, a spot crammed with emotion and really transferring. A multi-faceted artist, singer, composer, director, author, and painter, he proves by these totally different skills that creation might be numerous and that inspiration can come from all horizons. I’ve all the time liked his style in ornament as a result of he liked objects and valued their placement, particularly in the way in which the rooms had been adorned, with the position of the picture frames, the black cloth on the partitions, and the skillful use of black and white on this inspirational house.
I’m significantly keen on movies from the 70s, with a desire for the filmography of French director Claude Sautet, who had a few of the biggest French actors and actresses in entrance of his digital camera. On this picture from the movie César et Rosalie with Romy Schneider, we see Yves Montand and Samy Frey chatting with the director in a seaside bed room setting, with rattan furnishings and a rope carpet, typical of the period. I really like the way in which this director tackles easy topics that everybody can relate to and the environment, the colours of the units and the pictures in his movies are all the time a supply of inspiration for me.