Interiors studio Barde vanVoltt has renovated this early 1900s house within the Dutch metropolis of Haarlem to forge a powerful connection between the constructing’s previous and current, grounding the house with heat woods and tactile textures.
The house owners – a younger household of 4 – needed a house that might stand the check of time whereas telling Dutch observe Barde vanVoltt to “shock us”.
In reply, the studio labored to create an inside that fuses the previous and the current.
“Getting into this home is a journey by way of time, a reminder that structure is a dialogue between generations,” the studio informed Dezeen.
“Meticulously preserving its historic appeal, the home’s design seamlessly integrates modern options, making a harmonious mix that transcends eras.”
To handle the slim footprint of the home – a sometimes Dutch function – inner partitions had been both eliminated, widened or changed with glass panel doorways.
The again of the property was reworked with an extension and concertina glass doorways to maximise the sense of sunshine and house.
“With the extension on the bottom ground, we needed to create distinction with the unique structure,” mentioned Barde vanVoltt. “The understated sq. trendy structure, as a consequence of its form and angular place, blends completely with the previous.”
“With the historic facade on the entrance, we took benefit of the house on the rear, extending the kitchen and dwelling areas into the backyard.”
The observe rigorously aligned the brand new design parts with shapes drawn from the architectural options of the home, with the brand new full-height door openings echoing the proportions of the lounge’s unique home windows.
Within the attic, a visitor room doubles as a playroom. Barde vanVoltt infused this once-dark house with pure mild through a skylight, “permitting visitors to sleep beneath the celebs”.
“Dutch homes are famous for his or her sloping attic roof strains,” the studio mentioned. “For the youngsters’s bedrooms, we adopted this structural line and created customized bunk beds that mix sleep, storage, and house for play.”
The fabric palette features a vary of mid- and dark-toned timbers that convey a way of heat and tactility to the house.
These are complemented by pure supplies together with stone and linen.
“Our color scheme at all times consists of earthy colors like moss inexperienced, a light terracotta, gray concrete and off-whites,” the studio mentioned. “For this residence, we introduced them according to the unique colors from the present tiles and stained glass.”
The furnishings edit options Barde vanVoltt’s favoured mixture of assertion items alongside handmade and bespoke parts.
Chosen items mirror the architectural model of the constructing such because the Lot table by Tecta within the research, in addition to Gerrit Thomas Rietveld’s 1934 Zig Zag chair and his Steltman chair from 1963, which was the final chair ever created by the Dutch designer.
The playroom, eating space and bed room all have specially-made seating upholstered in Kvadrat materials, whereas the bedrooms and research function bespoke beds and closets.
“We love creating interiors filled with handmade, bespoke furnishings items with refined particulars,” mentioned Barde vanVoltt. “The headboard of the master suite is an artwork piece in itself. The walnut slats are barely curved and provides it a really refined look.”
The sq. espresso desk in the lounge – made out of a single piece of sandstone – is a classic piece from Atelier Uma.
For the lighting scheme, Barde vanVoltt got down to create the correct steadiness between useful and ornamental lighting, collaborating with lighting consultants PSLab to create a “heat and cosy environment.”
Different Dutch properties which have lately been featured on Dezeen embrace a house with a hexagonal footprint in Amsterdam and a Hobbit-style residence that is partially buried underground.
The pictures is by Thomas de Bruyne.